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You don’t necessarily have to be a fan of the NCIS-verse to realize that it’s arguably as essential to Paramount as any IP is to any media company.  Between its record 22-season run that will see its 500th episode air early next year and the now six spinoffs it has germinated over the majority of

How’s this for a reality check on how the sands of time have drizzled through the hourglass:  The MTV Music Video Awards is now older than all but three of the 1384 men who have played major league baseball this year.  Older than every single position player. And in the corporate superstructure of New Paramount

Whenever I see a reversal of what was once touted to be a revolutionary policy that attempts to undo decades of habit, I am more than a little gratified and admittedly even a tad adminishing.  And I’ve had ample opportunity over the past few years to feel that way about the fine folks at HBO,

Think of the annual cycle of pursuing cinematic success as seasonal. In the summer and for the last nine weekends of the year it’s all about box office and popularity–can we still get butts off their couches and at least sporadically get ghem into theatres to drop a couple of Hamiltons (Grants)? on some overly

I confess that I was never a huge fan of THE OFFICE, certainly not the critically acclaimed Ricky Gervais version that my FX colleagues were gleefully sharing DVDs of for their own “research” nor the Steve Carell-fronted NBC version that quietly debuted in the spring of 2005 on what used to be their Thursday night

When we last checked in on how Ken Solomon was doing the news was relatively upbeat.  You might recall back in April we mused about how his career was taking on a new path when he answered the clarion call of one Dr. Philip C. McGraw, taking on the full-time challenge of turning the one-time